活动

Frank Vigneron: New Rural Frontier

链接

https://www.cpr.cuhk.edu.hk/sc/?p=46052

列印

荒废了的客家村落，位于香港新界荔枝窝（摄影：Eric Ng）

日期：

2019年9月26日

時間：

18:00 – 19:30

地點：

香港中文大学李兆基建筑学大楼中庭

講者：

韦一空教授

講者簡歷：

Frank Vigneron is Professor and Chairperson at the Department of Fine Arts, the Chinese University of Hong Kong. He received a PhD in Chinese Art History from the Paris VII University, a PhD in Comparative Literature from the Paris IV Sorbonne University, and a Doctorate of Fine Arts from the Royal Melbourne Institute of Technology. Vigneron joined CUHK in 2004, where he teaches Western art history, modernism and postmodernism in art, and Chinese and Western comparative aesthetics. His research focuses on the history of Chinese painting since the 18th century and contemporary Chinese art in a global context. Vigneron is a member of the International Association of Art Critics Hong Kong and a Museum Expert Adviser for the Leisure and Cultural Services Department of the HKSAR government. He is also a practising artist, and has held exhibitions in Hong Kong and internationally.

報名：

免费

查詢：

3943 6583

活動概覽：

http://www.arch.cuhk.edu.hk/event/frank-vigneron-new-rural-frontier/

講座摘要：

While the city and the celebration of urban culture have been at the centre of Mainland China’s development over the last three decades, recent policies have emphasised the need to redevelop the countryside. These policies, generally referred to as “beautiful countryside” and “reviving the country though culture,” are starting to have an impact locally in many rural counties. The example of Hangzhou’s China Academy of Art and its teaching complex in the mountains of Fujian is a perfect example of the art education schemes that have benefitted from these policies. The limitations of such top-down endeavours however can be revealed by comparison with the bottom-up projects launched by artists in the countryside of Taiwan and Hong Kong. Taiwan remains to this day one the Asia’s most active scenes for socially engaged art practices, even though Hong Kong is starting to see the emergence of an equally active field. In a setting that is identified only as urban by the general public, several Hong Kong artists and activists dealing with social engagement have explored alternative ways of life in the rural New Territories. This lecture looks at the two widely different environments of Mainland China and Hong Kong to try to understand how they vary and what the consequences are for local art practitioners and audiences.

備註：

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