Events

2 Feb 2023

7:00-9:00pm

Sir Run Run Shaw Hall

Chan Tze Ching Andre

於倫敦與多倫多分別學習策展與東亞研究，曾任職漢雅軒等多家國際畫廊，並於世界各地策劃並製作多個展覽，為「Arts Collective藝類」的共同創辦人。作為獨立策展人與作家，研究集中於當代城市問題與科技衍生的矛盾等，2018年入選上海當代美術博物館的青策計劃與Para Site青年策展人計劃策展人，亦為2021年Art Central的策展總監，曾在各地策展的展覽與表演包括臺灣雙年展平行展〈後人間世〉（台南節點）、〈言霊〉（香港Para Site，2018）、〈那是一個最好的時代，那是一個最壞的時代〉（芝加哥Mana Contemporary，2017）、〈I Like Blue When There is More White〉（韓國KIGOJA，2016），共同策展的展覽與表演包括：〈物換星移〉（上海當代藝術博物館，2022）、〈Æthereal 逸菲蕾遨〉(國立臺灣美術館，2021)、〈借景〉（香港牛棚，2019）、〈逶迤〉（尖沙咀海旁、2019）、〈藏木於林〉（香港大館當代美術館，2019）、〈林中的樹倒下而沒有人在〉（上海當代藝術博物館，2018）。

Target Audience: Open to Public

Fee: Free

Registration: https://www.srrsh.cuhk.edu.hk/en/art-multiverse-democraticiation-art-and-its-markets

3943 7528 / cuoaa@cuhk.edu.hk

From high-class estate advertisements, travel, and investment promotion to cultural policy and social integration, you can catch the traces of “art”. Nowadays, art has become an extremely multi-use buzzword, as if it is a panacea that can solve any problem. After all, contemporary art as a movement is committed to liberating art from the palace of culture, becoming a popular culture, constructing a fragmented and colorful multiverse of art. Using the key words of contemporary art as a breakthrough, this talk aims to discuss the various current situations of the art and its market, and explain the meaning and value behind “art”.

Remarks: Conducted in Cantonese

Presenter: The Office of the Arts Administrator