Events
Inaugural Lecture of Sin Wai Kin Professorship of Chinese Culture by Professor Leo Ou-fan Lee on "Dreams of (Re)enchantment: In Search of Chinese Cultural Traditions" (in Putonghua)
2 Apr 2012
5:00pm
Lecture Theatre 7, 1/F, Lee Shau Kee Building
Professor Leo Ou-fan Lee has been appointed the Sin Wai Kin Professor of Chinese Culture at The Chinese University of Hong Kong. Before that he was a Wei Lun Professor of Humanities (2009-11) at The Chinese University of Hong Kong. He is also a Fellow of Morningside College of the University, and a founding fellow of the Hong Kong Academy of the Humanities. He received a number of fellowships and prizes, including the Guggenheim Fellowship and an Honorary Doctorate in the Humanities from the Hong Kong University of Science and Technology.
Born in China, Professor Lee was brought up in Taiwan and went to the United States for graduate education where he received his PhD degree from Harvard University in 1970. He has taught at Harvard, UCLA, Chicago, Indiana, and Princeton Universities in the United States, as well as the University of Hong Kong (as Distinguished Visiting Professor) and the Hong Kong University of Science and Technology (as the Y. K. Pao Chair Professor of Cultural Studies). He took early retirement from Harvard in 2004 in order to return to Hong Kong and join the CUHK faculty for a second career as both an academic and a cultural critic at large, writing in both Chinese and English.
His scholarly publications in English include: “Shanghai Modern: The Flowering of a New Form of Urban Culture, 1930-1945” (Harvard University Press, 1999), “Voices from the Iron House: A Study of Lu Xun” (Indiana University Press, 1987), and “The Romantic Generation of Modern Chinese Writers” (Harvard, 1973), all of which have been translated into Chinese. In Hong Kong, he has published a large volume of books in Chinese across a wide spectrum of subjects: modern Chinese literature, Hong Kong culture, film, music, and architecture. Notable titles include: “Ten Lectures on Modern Chinese Literature and Modernity”, (2002), “Desolation and Sophistication: Revelations from Eileen Chang”, (2006), “Watching ’Lust/Caution’: Literature, Film, History” (2008), “Symphony: Notes on Music” (2006), “Literature Adapted into Film” (2010), “Humanities as Texts of Life” (2009) and “Humanities Today” (2010). A special book written for Hong Kong in English is “City between Worlds: My Hong Kong” (Harvard University Press, 2008), as is a collection of books reviews, “Musings: Reading Hong Kong, China and the World” (Hong Kong: Muse Books, 2011).
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